I had the opportunity to be a part of a trip with Healing Haiti. I was asked to go to document the trip as the photographer/videographer.
I have been on quite a few of these overseas trips as the photog/videog (Bangladesh, Brazil, Nicaragua and Columbia in the past.) Each trip is unique and each trip I learn something new about documenting in a foreign country.
This trip captivated me in many ways. The children, the environment, the locals. It was one of the most amazing experiences I’ve had. I felt drawn to the country and the people. So much so, that I want to spend as much time there as possible.
There are a few things/tips I’d give about shooting overseas.
First of all…
ON EQUIPMENT: make sure your equipment is super portable and super easy to access. I know, I know that seems obvious. Let me explain further: When I went to Nicaragua, I had a great backpack (or so I thought):
Looks nice and portable, huh? Not so much. The bag alone weighed 17 lbs. Adding all my equipment, An HVX, monopod, cables,microphones, lights, etc. And this bag weight almost 35 lbs. I could have just considered this a great workout carrying it around. But what you dont think about is the HEAT in these country’s. It was easy 100 degrees and carrying around an extra 30 pounds could be the difference between heat stroke or not. I fell victim to heat stroke on my Nicaragua trip and I vowed to be more prepared for my next trip.
So when I was asked to go to Haiti, my first thought was, I need to be prepared. I sold my last bag, and bought a new one. Yes, it was wicked expensive ($185) but man is it a sweeeeet bag! It fit everything I needed, was almost 30 percent smaller and more compact than the one above, weighed about 15 pounds less and because of the way the bag was made, the weight was distributed evenly, so I never had any uncomfortable cramping in my neck and shoulders from carrying around the bag all day. Here’s my beauty:

This bag is pure genius. Highly recommended. I also had a killer monopod with me, and had room in my luggage for a mini glidecam (which, of course, gave me some sweet video shots.)
And guess what? No heat stroke! Your bag needs to be easy to access from weird angles. You may be scrunched in a taptap….or a rickshaw and need to access your equipment, or you may be out in the villages, and not able to put your bag down to access your stuff. You need something you can swing around easily from back to front.
SHOOT, SHOOT AND SHOOT SOME MORE: You are on a once in a lifetime trip. If you come back with 10,000 photos and 45Gigs of Video, 3,000 of the photos may be duplicates, or be blurry, or overexposed from the sun, but that means 7000 of them are awesome keepers. Maybe 10 Gigs of video is to shaky or overexposed, but that means 35G of it is usable, quality footage. Which leads me to another topic:
KNOW YOUR SETTINGS: When you are shooting in a foreign country, that means you are shooting in foreign territory. The sun seems brighter, the buildings seem to be bouncing light, there is dust flying everywhere, and you see stuff around every corner that you want to capture. KNOW YOUR SETTINGS. Just like in wedding photography where you’re shooting on the fly, you need to be ready to catch the sun or the shade and everyone’s face still needs to be lit correctly. Know your stuff and be ready to change your settings in an instant.
ON SHOOTING THE LOCALS: Dont treat them like you’re at the zoo. They are people just like you. Always ask before assuming you can take a photo of someone in their hut/home. If you dont speak the language, figure out motions that translate into: can I photograph you? It helps the locals to feel at ease. When you just assume you can shoot, and start blasting away at people in their ‘homes’, or outside of their ‘homes’, it automatically puts a wall up between you and them. You dont want this. You are in their country on their turf. You are a guest in their home. Act like one, and they will appreciate it. But more importantly, you just might have a chance to make people feel special by photographing them, if only for a moment.